The Kilkenny Nativity - putting a fresh spin on the Christmas story

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Dec 19,2024

When we set out to create The Kilkenny Nativity, the aim was to take a story over 2,000 years old and breathe new life into it, placing its timeless words into the mouths of 21st-century Irish people.

It was about making something ancient feel fresh, relevant, and real—a way of celebrating both the enduring power of the Nativity story and the vibrant culture and character of Kilkenny.

Roisin Cummins with sons Theo and Fionn

The project felt special to me because of what the Nativity story represents. For so many of us, hearing it takes us back to our childhoods—those school days filled with innocence, wonder, and the magic of Christmas.

I wanted to capture that feeling of connection and nostalgia, but in a way that spoke to modern Ireland.

It wasn't about recreating the past; it was about showing how the story’s themes of hope, resilience, and community still resonate today, especially in a place like Kilkenny, with its rich history and stunning landscapes.

Miriam Long (and baby) with the midwife staff at St. Luke's Hospital

Kilkenny was the perfect setting. From the medieval majesty of Kilkenny Castle to the understated beauty of towns like Castlecomer, Graiguenamanagh, and Inistioge, the blend of history, culture, and countryside offered us a canvas that felt both timeless and rooted in the present.

Whether it was the quiet charm of a village or the bustling energy of the city centre lit up with Christmas decorations, Kilkenny gave us everything we needed to reimagine the Nativity in a way that celebrated the spirit of the county and its people.

This project wasn't just about creating a film; it was about giving people the opportunity to step into the spotlight and be celebrated for who they are.

From infants to grandparents, the people of Kilkenny embraced the project with warmth and enthusiasm. One standout moment for me was meeting Margaret, who applied with her three grandchildren. Watching their excitement and joy during filming was a beautiful reminder of why we wanted to tell this story—to create something that captures the magic of Christmas and brings people together.

Margaret Prenter

I’ve always felt strongly about the importance of showcasing everyday people on screen. There’s something uniquely powerful about seeing your community reflected back at you, reminding us of the value and beauty of ordinary lives.

This project wasn’t just about creating a film; it was about giving people the opportunity to step into the spotlight and be celebrated for who they are. These are the voices and faces that make up the fabric of our country, and it’s a privilege to showcase them.

Michelle Teehan (centre) and the junior camogie team

Of course, we couldn’t make a film in Kilkenny without including some of its sporting legends. Brian Cody, a name synonymous with hurling, was a natural fit. Equally important was the opportunity to showcase Kilkenny’s incredible camogie players, whose passion and pride deserved to be front and centre. Their inclusion added a powerful layer to the story, reflecting the strength and determination of the community.

Then there was Myles Kavanagh, affectionately known as "Elvis". His home, a shrine to his namesake, was full of charm and personality, bringing so much fun and heart to the project.

Filming wasn’t without its challenges. The Irish weather stayed true to form, with rain falling on six of our seven shoot days. It required flexibility and quick thinking, with scenes rescheduled and locations shifted to work around the downpours. Despite the obstacles, the spirit of collaboration and dedication among the team ensured we stayed on track. In the end, even the rain added an authentic Irish charm to the finished piece.

This project was a reminder of the generosity and kindness of Kilkenny's people. From those who took part to those who opened their doors to us, the sense of pride and community was incredible.

One of the most touching and unexpected moments came when we stumbled across a Christmas wedding during filming. The couple graciously allowed us to capture part of their special day, and their love story added a spontaneous warmth and intimacy to the project. Moments like these—unscripted and full of heart—are what make The Kilkenny Nativity so special.

Laura Dempsey and Eamon Kearney

Music played a vital role in tying everything together. I collaborated with composer Darren Sheehan to create a score that captured the emotional core of the film. We wanted the music to evoke nostalgia and warmth, with a hint of that magical Christmas feeling. A nod to Away in a Manger was an essential touch, anchoring the soundtrack to something simple and familiar, while Darren’s original compositions brought depth and cohesion to the entire piece.

Ultimately, I hope The Kilkenny Nativity resonates with viewers as a celebration of community and connection. For those familiar with the Nativity story, I hope it brings a sense of nostalgia and transports them back to simpler times. For those encountering it with fresh eyes, I hope it showcases the beauty, diversity, and culture of Kilkenny while reminding us all of the universal themes of love, hope, and resilience.

This project was a reminder of the generosity and kindness of Kilkenny’s people. From those who took part to those who opened their doors to us, the sense of pride and community was incredible. It also reinforced the enduring relevance of the Nativity story. Seeing it reimagined through the voices of modern Kilkenny brought a fresh perspective—it’s a story of struggle, hope, and connection that continues to resonate today.

Chubby Brennan

Producing The Kilkenny Nativity was a privilege and a joy. It highlights why public broadcasting is so important. It allows us to tell stories rooted in our communities, celebrating our shared heritage and shining a light on the extraordinary within the ordinary.

My hope is that this film brings a little bit of Christmas magic to everyone who watches. It’s a celebration of the people who make our country what it is, and I feel honoured to have been part of it